1 00:00:00,434 --> 00:00:02,070 PREVIOUSLY ON... 2 00:00:02,103 --> 00:00:03,271 RENEE CONFRONTED LYNETTE. 3 00:00:03,304 --> 00:00:07,775 LOOK, YOU AND TOM TRIED TO MAKE IT WORK, AND YOU COULDN'T. 4 00:00:07,808 --> 00:00:09,177 NOW HE'S MOVED ON. 5 00:00:09,210 --> 00:00:11,345 CARLOS AGREED TO GO INTO REHAB. 6 00:00:11,379 --> 00:00:13,814 I KNOW A GREAT PLACE. I CAN CALL TOMORROW. 7 00:00:13,847 --> 00:00:16,784 SUSAN'S SECRET WORK OF ART... 8 00:00:16,817 --> 00:00:18,419 NO ONE CAN SEE THESE! 9 00:00:18,452 --> 00:00:20,754 FUELED THE DETECTIVE'S SUSPICIONS... 10 00:00:20,788 --> 00:00:23,424 ALL I SEE IS FOUR WOMEN THAT KILLED A GUY 11 00:00:23,457 --> 00:00:24,825 WITH A CANDLESTICK 12 00:00:24,858 --> 00:00:26,727 AND DUMPED HIS BODY IN THE WOODS. 13 00:00:26,760 --> 00:00:30,064 AND DROVE A WEDGE BETWEEN FRIENDS. 14 00:00:30,098 --> 00:00:31,832 MORE SECRETS? (scoffs) 15 00:00:31,865 --> 00:00:34,302 WHAT DID YOU THINK YOU WERE DOING? I WAS PROTECTING YOU! 16 00:00:34,335 --> 00:00:36,370 YEAH, WELL, GREAT JOB. 17 00:00:36,404 --> 00:00:38,272 (sighs) 18 00:00:43,144 --> 00:00:44,745 (Mary Alice) WHENEVER BREE VAN DE KAMP 19 00:00:44,778 --> 00:00:47,381 WAS FEELING LOW... 20 00:00:47,415 --> 00:00:51,319 SHE FOUND SOLACE IN THE ACT OF BAKING. 21 00:00:52,886 --> 00:00:56,757 WHEN HER FIRST HUSBAND PASSED AWAY, 22 00:00:56,790 --> 00:00:59,427 SHE MADE COFFEE CAKE. 23 00:00:59,460 --> 00:01:02,696 WHEN HER SECOND HUSBAND WENT TO JAIL, 24 00:01:02,730 --> 00:01:05,833 SHE MADE SUGAR COOKIES. 25 00:01:05,866 --> 00:01:10,138 AND WHEN HER TEENAGE DAUGHTER GOT PREGNANT, 26 00:01:10,138 --> 00:01:12,706 SHE MADE CREME BRULEE. 27 00:01:12,740 --> 00:01:16,744 SO WHEN BREE'S BEST FRIENDS STOPPED SPEAKING TO HER, 28 00:01:16,777 --> 00:01:20,348 SHE HOPED THAT HER WARM CHERRY SCONES 29 00:01:20,381 --> 00:01:23,851 MIGHT THAW THEIR CHILLY RELATIONSHIP. 30 00:01:27,321 --> 00:01:28,722 SUSAN. 31 00:01:41,169 --> 00:01:43,271 HEY, SWEETIE. IS YOUR MOM HOME? 32 00:01:43,304 --> 00:01:46,207 UH, NO. SHE'S AT... CHURCH. 33 00:01:46,240 --> 00:01:48,809 ON A THURSDAY? 34 00:01:48,842 --> 00:01:51,179 SHE TOLD YOU TO SAY THAT, DIDN'T SHE? 35 00:01:51,179 --> 00:01:53,247 ONLY IF IT WAS YOU. IF IT WAS THE PRIEST, 36 00:01:53,281 --> 00:01:55,783 I'M SUPPOSED TO SAY SHE'S READING TO THE BLIND. 37 00:02:03,691 --> 00:02:06,394 (lowered voice) WILL YOU STOP POUNDING? 38 00:02:06,427 --> 00:02:08,462 I JUST PUT PAIGE DOWN. 39 00:02:08,496 --> 00:02:11,432 I'M SORRY, BUT NO ONE WILL TALK TO ME. 40 00:02:11,465 --> 00:02:13,734 REALLY? I WONDER WHY THAT IS. 41 00:02:13,767 --> 00:02:15,303 LOOK, I HAVE MADE A MESS OF THINGS, 42 00:02:15,336 --> 00:02:17,771 BUT I WANT TO MAKE IT UP TO YOU ALL. 43 00:02:17,805 --> 00:02:21,209 YOU REALLY THINK YOU CAN BAKE YOUR WAY OUT OF THIS ONE? 44 00:02:21,242 --> 00:02:22,743 OF COURSE NOT. IT'S JUST A PEACE OFFERING, 45 00:02:22,776 --> 00:02:24,778 A WAY TO BEGIN THE CONVERSATION. 46 00:02:24,812 --> 00:02:26,314 I HAVE NOTHING TO DISCUSS WITH YOU, 47 00:02:26,347 --> 00:02:28,682 NOT AFTER THE WAY YOU AND GABY LIED TO ME. 48 00:02:28,716 --> 00:02:29,717 LYNETTE, PLEASE UNDERSTAND. 49 00:02:29,750 --> 00:02:32,320 I WAS ONLY TRYING TO PROTECT YOU, ALL OF YOU. 50 00:02:32,353 --> 00:02:34,922 NO! YOU WERE TRYING TO CONTROL US 51 00:02:34,955 --> 00:02:38,326 THE WAY YOU TRY AND CONTROL EVERYTHING. 52 00:02:38,359 --> 00:02:39,627 THAT'S NOT FAIR. 53 00:02:39,660 --> 00:02:41,695 YOU TOLD US THAT AS LONG AS WE TRUSTED EACH OTHER 54 00:02:41,729 --> 00:02:44,732 AND STUCK TOGETHER, EVERYTHING WOULD BE FINE. 55 00:02:44,765 --> 00:02:46,900 IT WILL BE. AS LONG AS WE HAVE OUR FRIENDSHIP, 56 00:02:46,934 --> 00:02:49,303 THEY CAN'T DO ANYTHING TO US. 57 00:02:49,337 --> 00:02:51,705 DON'T YOU GET IT? THERE IS NO US. 58 00:02:51,739 --> 00:02:54,642 THERE IS NO FRIENDSHIP. NOT ANYMORE. 59 00:02:54,675 --> 00:02:57,311 YOU'RE ON YOUR OWN. 60 00:02:57,345 --> 00:02:59,247 WE ALL ARE. 61 00:03:03,751 --> 00:03:09,323 YES, BREE HAD ALWAYS TAKEN COMFORT IN BAKING. 62 00:03:09,357 --> 00:03:12,860 BUT WHEN BAKING FAILED HER, 63 00:03:12,893 --> 00:03:16,797 SHE TOOK COMFORT IN SOMETHING ELSE. 64 00:03:29,042 --> 00:03:32,280 IN A PLACE AS PEACEFUL AS WISTERIA LANE, 65 00:03:32,280 --> 00:03:36,750 THE SMALLEST CRIME CAN PROMPT A CALL TO THE POLICE... 66 00:03:36,784 --> 00:03:40,588 WHEN A NEIGHBORHOOD KID MAKES A RECKLESS MISTAKE... 67 00:03:40,621 --> 00:03:42,723 (beeps) 68 00:03:42,756 --> 00:03:46,294 WHEN CHILDREN NEED TO BE TAUGHT A LESSON... 69 00:03:46,327 --> 00:03:47,728 (beeps) 70 00:03:48,729 --> 00:03:50,664 (drum playing) 71 00:03:50,698 --> 00:03:53,734 WHEN THE TEENAGERS NEXT DOOR START A BAND. 72 00:03:53,767 --> 00:03:54,902 (beeps) 73 00:03:54,935 --> 00:03:57,671 YES, THE WOMEN OF WISTERIA LANE 74 00:03:57,705 --> 00:03:59,773 WERE USED TO CALLING THE POLICE. 75 00:03:59,807 --> 00:04:05,679 WHAT THEY WEREN'T USED TO WAS HAVING THE POLICE...CALL THEM. 76 00:04:05,713 --> 00:04:07,881 SO... WHAT'S GOING ON? 77 00:04:07,915 --> 00:04:09,417 NOT SURE. 78 00:04:09,450 --> 00:04:10,918 NO ONE'S TALKED TO US YET. 79 00:04:10,951 --> 00:04:13,587 DO YOU THINK WE NEED A LAWYER? 80 00:04:13,621 --> 00:04:16,590 I DON'T KNOW. MAYBE SUSAN CAN PAINT ONE FOR US. 81 00:04:16,624 --> 00:04:19,360 LAWYERS WON'T BE NECESSARY, LADIES. 82 00:04:19,393 --> 00:04:21,695 THIS IS NOT AN OFFICIAL INVESTIGATION. 83 00:04:21,729 --> 00:04:24,665 IT'S JUST A--IT'S JUST A CASUAL CONVERSATION AMONG FRIENDS. 84 00:04:24,698 --> 00:04:25,999 BUT IF YOU WANT TO BRING LAWYERS INTO IT, 85 00:04:26,033 --> 00:04:29,036 I CAN OPEN A CASE FILE, TAKE YOUR FINGERPRINTS. 86 00:04:29,069 --> 00:04:32,005 NO. NO. WE LIKE THE FRIEND THING. 87 00:04:32,039 --> 00:04:36,610 GREAT. SO THE FIRST FRIEND I'D LIKE TO TALK TO IS... SUSAN. 88 00:04:39,079 --> 00:04:41,982 TRY MY COFFEE. 89 00:04:44,051 --> 00:04:46,754 THE GUYS ARE ALWAYS COMPLIMENTING ME ON IT. 90 00:04:46,787 --> 00:04:49,890 THANKS. I'M TRYING TO CUT DOWN ON CAFFEINE. 91 00:04:49,923 --> 00:04:52,693 GETS YOU ALL JITTERY AND NERVOUS? 92 00:04:52,726 --> 00:04:53,627 YEAH. I HATE THAT. 93 00:04:53,661 --> 00:04:55,763 SO YOU FEELING JITTERY AND NERVOUS RIGHT NOW? 94 00:04:55,796 --> 00:04:57,064 WHAT? 95 00:04:57,097 --> 00:04:58,632 N-NO. ABSOLUTELY NOT. (chuckles) 96 00:05:02,736 --> 00:05:04,672 (slurps) 97 00:05:04,705 --> 00:05:06,640 UH, YUM. 98 00:05:06,674 --> 00:05:08,041 MY COMPLIMENTS. 99 00:05:12,012 --> 00:05:15,649 WHY'D YOU PAINT THIS? 100 00:05:17,651 --> 00:05:18,752 UH, WHY? 101 00:05:18,786 --> 00:05:21,088 IT'S... HARD TO SAY 102 00:05:21,121 --> 00:05:25,559 WHY ARTISTS... PAINT WHAT THEY DO. 103 00:05:25,593 --> 00:05:29,697 GOSH, THAT PROBABLY SOUNDED SO... ARTSY. (chuckles) 104 00:05:29,730 --> 00:05:31,599 NO, NOT REALLY. 105 00:05:31,632 --> 00:05:33,634 I WOULD IMAGINE IT'S EVEN POSSIBLE 106 00:05:33,667 --> 00:05:37,838 THAT THE ARTIST HERSELF DOESN'T REALLY KNOW WHY SHE DID IT. 107 00:05:37,871 --> 00:05:42,776 SOMETIMES YOU SAY TO YOURSELF... 108 00:05:42,810 --> 00:05:45,012 "WHERE THE HECK DID THAT COME FROM? 109 00:05:45,045 --> 00:05:47,014 "MAYBE I SHOULDN'T HAVE EATEN 110 00:05:47,047 --> 00:05:49,617 THAT PEPPERONI PIZZA BEFORE BED." 111 00:05:49,650 --> 00:05:51,519 (chuckles) 112 00:05:51,552 --> 00:05:53,086 OR MAYBE YOU SAY TO YOURSELF, 113 00:05:53,120 --> 00:05:56,624 "I FEEL SO GUILTY ABOUT WHAT I DID." 114 00:05:58,859 --> 00:06:01,529 I-I-I DON'T... 115 00:06:01,562 --> 00:06:03,664 I MEAN, WHO... WHO IS THAT? 116 00:06:03,697 --> 00:06:05,533 THE GUY IN YOUR PAINTING. 117 00:06:05,566 --> 00:06:06,934 THE ONE IN THE GRAVE. 118 00:06:06,967 --> 00:06:08,702 NO. 119 00:06:08,736 --> 00:06:10,604 UH, UH, NO. 120 00:06:10,638 --> 00:06:13,006 THAT CAME FROM MY IMAGINATION. 121 00:06:13,040 --> 00:06:14,775 BULL. IT'S HIM. 122 00:06:14,808 --> 00:06:16,710 RAMON SANCHEZ. 123 00:06:16,744 --> 00:06:19,079 A MISSING PERSON FROM OKLAHOMA. 124 00:06:19,112 --> 00:06:22,516 I DON'T KNOW ANYTHING ABOUT THAT. 125 00:06:22,550 --> 00:06:25,018 THAT ISN'T A PAINTING, SUSAN. 126 00:06:25,052 --> 00:06:27,788 IT'S A GUILTY CONSCIENCE TRYING TO FIND PEACE, 127 00:06:27,821 --> 00:06:29,657 BUT IT NEVER WILL, EVER... 128 00:06:29,690 --> 00:06:32,526 UNTIL YOU TELL THE TRUTH. 129 00:06:34,828 --> 00:06:37,498 (Chuck) SO YOU'VE NEVER SEEN THIS GUY BEFORE? 130 00:06:37,531 --> 00:06:39,066 YOU ALREADY ASKED ME THAT, 131 00:06:39,099 --> 00:06:40,768 AND I TOLD YOU. NO. 132 00:06:40,801 --> 00:06:43,704 YOU KNOW SOMETHING, LYNETTE? YOU'D HAVE MADE A GOOD COP. 133 00:06:43,737 --> 00:06:48,008 YOU KNOW HOW TO STAY COOL, KEEP YOUR EMOTIONS IN CHECK. 134 00:06:49,610 --> 00:06:51,812 LISTEN TO ME. 135 00:06:51,845 --> 00:06:53,914 YOU WOMEN ARE GOOD PEOPLE. I KNOW THAT. 136 00:06:53,947 --> 00:06:56,950 BUT YOU'RE OBVIOUSLY COVERING SOMETHING UP. 137 00:06:56,984 --> 00:06:59,086 NOW FORGET ABOUT ME BEING A COP, OKAY? 138 00:06:59,119 --> 00:07:00,788 LET ME TELL YOU SOMETHING AS A FRIEND. 139 00:07:00,821 --> 00:07:02,556 A JURY WILL FORGIVE A LOT WHEN THEY UNDERSTAND 140 00:07:02,590 --> 00:07:03,691 WHY SOMETHING HAPPENED. 141 00:07:03,724 --> 00:07:07,027 BUT FIRST, YOU HAVE TO STOP LYING. 142 00:07:07,060 --> 00:07:08,662 I'M NOT LYING. 143 00:07:10,097 --> 00:07:12,533 (pen clatters) HOW MUCH MORE OF A TOLL 144 00:07:12,566 --> 00:07:14,067 ARE YOU GONNA LET THIS THING TAKE ON YOU? 145 00:07:14,101 --> 00:07:15,669 WHAT DOES THAT MEAN? 146 00:07:15,703 --> 00:07:18,506 IT MEANS THAT WHATEVER IT IS YOU'VE DONE, 147 00:07:18,539 --> 00:07:20,974 IT'S CLEARLY THE REASON YOUR HUSBAND WALKED OUT ON YOU. 148 00:07:23,944 --> 00:07:25,513 SORRY. 149 00:07:25,513 --> 00:07:27,815 BUT YOU SAID TO FORGET YOU WERE A COP. 150 00:07:29,282 --> 00:07:31,952 HUH. LOOK AT THAT. 151 00:07:31,985 --> 00:07:35,556 WHAT HAPPENED TO KEEPING YOUR COOL? 152 00:07:39,627 --> 00:07:40,828 RECOGNIZE HIM? 153 00:07:40,861 --> 00:07:42,896 SORRY. 154 00:07:42,930 --> 00:07:45,999 YOU WANNA LOOK AT IT FOR TWO SECONDS BEFORE YOU ANSWER? 155 00:07:46,033 --> 00:07:47,267 (sighs) 156 00:07:47,300 --> 00:07:49,002 I GOT NOTHING. 157 00:07:49,036 --> 00:07:50,538 CAN I GO? 158 00:07:50,571 --> 00:07:52,272 HE'S A PERSON, GABY. 159 00:07:52,305 --> 00:07:53,541 HE HAS TWO KIDS, 160 00:07:53,574 --> 00:07:54,842 NOT MUCH OLDER THAN YOURS. 161 00:07:54,875 --> 00:07:57,545 TWO GIRLS, WHO MAY NEVER SEE THEIR DADDY AGAIN. 162 00:08:01,949 --> 00:08:03,551 I DON'T KNOW HIM. 163 00:08:03,584 --> 00:08:05,686 NOW MAY I LEAVE? I HAVE A LOT OF THINGS TO DO. 164 00:08:07,287 --> 00:08:09,590 OH, YEAH? LIKE WHAT? 165 00:08:09,623 --> 00:08:11,224 VISITING YOUR HUSBAND IN REHAB? 166 00:08:11,258 --> 00:08:13,694 I HEARD ABOUT HIS DRINKING. 167 00:08:13,727 --> 00:08:15,563 I'M SORRY. 168 00:08:15,563 --> 00:08:17,831 YEAH. WELL, THE GOOD NEWS IS 169 00:08:17,865 --> 00:08:20,033 IT LOOKS LIKE WE NIPPED IT IN THE BUD. 170 00:08:20,067 --> 00:08:22,269 OH, IT'S A NEW PROBLEM? 171 00:08:22,302 --> 00:08:23,303 YEAH. WHY? 172 00:08:23,336 --> 00:08:24,838 USUALLY THERE'S A TRIGGER 173 00:08:24,872 --> 00:08:27,941 WHEN SOMEBODY STARTS ABUSING ALCOHOL OUT OF THE BLUE. 174 00:08:27,975 --> 00:08:30,944 ANYTHING COME TO MIND? ANYTHING STRESSFUL? 175 00:08:33,280 --> 00:08:35,315 HE... 176 00:08:35,348 --> 00:08:36,884 HE HAD AN AFFAIR. 177 00:08:36,917 --> 00:08:39,252 CARLOS? 178 00:08:39,286 --> 00:08:40,453 THAT'S HARD TO BELIEVE. 179 00:08:40,487 --> 00:08:43,591 I KNOW, RIGHT? I MEAN, WHO WOULD CHEAT ON THIS? (chuckles) 180 00:08:43,591 --> 00:08:46,594 I MEANT BECAUSE HE SEEMS LIKE SUCH A GOOD MAN. 181 00:08:46,627 --> 00:08:50,297 WELL, HE'S NOT. HE'S A CAD, A PHILANDERING S.O.B., 182 00:08:50,330 --> 00:08:51,999 BUT I LOVE HIM. (chuckles) 183 00:08:52,032 --> 00:08:54,201 SO IF I GO THERE TOMORROW 184 00:08:54,234 --> 00:08:58,672 AND ASK CARLOS THAT SAME QUESTION... 185 00:08:58,706 --> 00:09:01,609 HE'D GIVE ME THE SAME ANSWER? 186 00:09:01,642 --> 00:09:02,943 YOU BET. 187 00:09:02,976 --> 00:09:04,612 GREAT. 188 00:09:04,645 --> 00:09:06,747 I MIGHT JUST DO THAT. 189 00:09:09,382 --> 00:09:12,019 (indistinct conversations) 190 00:09:12,052 --> 00:09:14,021 AH. 191 00:09:14,054 --> 00:09:16,857 I'LL HAVE ANOTHER, PLEASE. 192 00:09:16,890 --> 00:09:18,759 OKAY. (sighs) 193 00:09:20,861 --> 00:09:22,295 YOU GOT A FRIEND WHO CAN DRIVE YOU HOME? 194 00:09:22,329 --> 00:09:23,196 (sets bottle down) 195 00:09:23,230 --> 00:09:24,998 (chuckles) NO. 196 00:09:25,032 --> 00:09:27,735 TURNS OUT I'M FRIENDLESS AT THE MOMENT. 197 00:09:27,768 --> 00:09:29,703 BUT DON'T WORRY. I'LL TAKE A TAXI. 198 00:09:29,737 --> 00:09:33,006 (women laughing) 199 00:09:33,040 --> 00:09:35,275 (laughs) 200 00:09:36,910 --> 00:09:38,278 (woman speaks indistinctly) 201 00:09:40,313 --> 00:09:43,316 YOU LADIES SOUND LIKE YOU'RE HAVING FUN! 202 00:09:43,350 --> 00:09:44,718 WHAT'S THE OCCASION? 203 00:09:44,752 --> 00:09:46,654 JUST, YOU KNOW, GIRLS' NIGHT OUT. 204 00:09:46,654 --> 00:09:48,355 LEFT THE KIDS AND HUSBANDS AT HOME. 205 00:09:48,388 --> 00:09:49,790 WHOO-HOO! I'LL DRINK TO THAT. 206 00:09:49,823 --> 00:09:50,858 (both) YEAH. 207 00:09:50,891 --> 00:09:52,025 AMEN TO THAT, SISTER. (clinks) 208 00:09:52,059 --> 00:09:54,194 I MEAN, WHO NEEDS FAMILIES WHEN WE'VE GOT GIRLFRIENDS? 209 00:09:54,227 --> 00:09:55,729 AM I RIGHT? 210 00:09:57,030 --> 00:09:59,332 I'M SORRY. WHO ARE YOU? 211 00:09:59,366 --> 00:10:01,401 OH, WHERE ARE MY MANNERS? 212 00:10:01,434 --> 00:10:02,970 BREE VAN DE KAMP. 213 00:10:03,003 --> 00:10:05,873 I HEARD YOU ALL CARRYING ON, AND, WELL, 214 00:10:05,906 --> 00:10:08,175 REALLY, I'VE BEEN FEELING A LITTLE DISCONNECTED LATELY, 215 00:10:08,208 --> 00:10:11,178 AND I THOUGHT, "BREE, A LITTLE HUMAN CONTACT IS 216 00:10:11,211 --> 00:10:12,780 JUST WHAT YOU NEED." 217 00:10:12,813 --> 00:10:15,415 UH, YEAH, KELLY JUST HAD A BABY, 218 00:10:15,448 --> 00:10:18,852 AND WE HAVEN'T SEEN EACH OTHER FOR A WHILE, SO WE WERE HOPING-- 219 00:10:18,886 --> 00:10:22,790 A BABY! OH, THAT'S WONDERFUL. WELL, WE NEED TO CELEBRATE. 220 00:10:22,823 --> 00:10:24,825 BOTTLE OF CHAMPAGNE! 221 00:10:24,858 --> 00:10:26,226 IT'S ON ME. 222 00:10:26,259 --> 00:10:29,229 SO HOW DO WE ALL KNOW EACH OTHER? 223 00:10:29,262 --> 00:10:32,399 WELL, THESE TWO I KNOW FROM COLLEGE, 224 00:10:32,432 --> 00:10:37,237 AND YOU I KNOW FROM RANDOMLY SITTING DOWN AT OUR TABLE. 225 00:10:37,270 --> 00:10:40,273 (laughs) 226 00:10:40,307 --> 00:10:41,809 GOD, I MISS THIS. 227 00:10:44,978 --> 00:10:46,714 AND THEN ONE DAY, 228 00:10:46,747 --> 00:10:49,850 YOU WAKE UP AND YOU REALIZE YOU'VE GOT NOTHING. 229 00:10:49,883 --> 00:10:51,752 NOTHING. 230 00:10:51,785 --> 00:10:53,386 YOUR CHILDREN ABANDON YOU. 231 00:10:53,420 --> 00:10:54,888 EVEN THE GAY ONE. 232 00:10:54,922 --> 00:10:56,289 I MEAN, AREN'T GAY MEN 233 00:10:56,323 --> 00:10:58,892 SUPPOSED TO BE OBSESSED WITH THEIR MOTHERS? 234 00:10:58,926 --> 00:11:01,729 AS FAR AS RELATIONSHIPS GO, FORGET IT. 235 00:11:01,762 --> 00:11:03,196 TWO OF THEM LEFT ME. 236 00:11:03,230 --> 00:11:04,431 THREE OF THEM ARE DEAD. 237 00:11:04,464 --> 00:11:08,335 AND ALL OF THIS I COULD BEAR AS LONG AS I HAD MY GIRLFRIENDS. 238 00:11:08,368 --> 00:11:11,905 BUT NOW THEY'VE ABANDONED ME, TOO. 239 00:11:11,939 --> 00:11:14,842 EVERYTHING I TOUCH... 240 00:11:14,875 --> 00:11:16,309 (whispers) EVERYTHING I LOVE... 241 00:11:19,179 --> 00:11:21,481 WELL, ON THAT NOTE, I THINK I'LL CALL IT A NIGHT. 242 00:11:21,514 --> 00:11:22,850 SAME HERE. 243 00:11:22,883 --> 00:11:24,351 WAIT. IT'S BARELY MIDNIGHT-- 244 00:11:24,384 --> 00:11:27,755 AWFULLY EARLY FOR FOUR SINGLE GALS LIKE US. 245 00:11:27,788 --> 00:11:29,322 WE'RE ALL MARRIED. 246 00:11:29,356 --> 00:11:31,191 YOU DON'T HAVE TO RUB IT IN, LYNETTE. 247 00:11:31,224 --> 00:11:33,894 STOP CALLING ME LYNETTE. IT'S REALLY CREEPING ME OUT. 248 00:11:33,927 --> 00:11:35,763 WAIT. I'VE GOT AN IDEA. 249 00:11:35,763 --> 00:11:37,364 (slurring) WHY DON'T YOU ALL COME BACK TO MY PLACE 250 00:11:37,397 --> 00:11:39,499 AND WE CAN HAVE A SLEEPOVER? 251 00:11:39,532 --> 00:11:41,168 GOOD NIGHT. 252 00:11:41,201 --> 00:11:43,236 NO. NO, PLEASE-- PLEASE COME HOME WITH ME. 253 00:11:43,270 --> 00:11:46,907 I-I HAVE A REALLY BIG HOUSE WITH LOTS OF EMPTY ROOMS AND-- 254 00:11:51,211 --> 00:11:53,246 OKAY, LADY. YOU WANT ME TO CALL YOU YOUR CAB YET? 255 00:11:53,280 --> 00:11:55,415 NO. 256 00:11:55,448 --> 00:11:57,885 I'M JUST GONNA FINISH LYNETTE'S CHAMPAGNE. 257 00:12:12,332 --> 00:12:13,901 BEN. 258 00:12:13,934 --> 00:12:15,135 HELLO. 259 00:12:15,168 --> 00:12:17,004 HOW YOU FEELING? 260 00:12:17,037 --> 00:12:19,306 FINE. WHY DO YOU ASK? 261 00:12:19,339 --> 00:12:21,274 YOU DON'T REMEMBER LAST NIGHT, DO YOU? 262 00:12:21,308 --> 00:12:23,844 OF COURSE I DO. 263 00:12:23,877 --> 00:12:25,278 REALLY? WHAT DO YOU REMEMBER? 264 00:12:25,312 --> 00:12:28,882 I WENT OUT TO DINNER WITH A FEW GIRLFRIENDS, 265 00:12:28,916 --> 00:12:30,283 CAME HOME, AND WENT TO BED. 266 00:12:30,317 --> 00:12:32,352 UH, CLOSE. 267 00:12:32,385 --> 00:12:34,888 YOU KNOCKED ON MY DOOR AT 2:00 IN THE MORNING 268 00:12:34,922 --> 00:12:36,189 TO BORROW MONEY, 269 00:12:36,223 --> 00:12:38,058 'CAUSE THE CAB DRIVER WOULDN'T TAKE 270 00:12:38,091 --> 00:12:40,227 THE FRIED ZUCCHINI YOU HAD IN YOUR PURSE. 271 00:12:40,260 --> 00:12:42,863 THEN YOU CURSED AT ME FOR NOT MAKING YOU PANCAKES 272 00:12:42,896 --> 00:12:45,966 BEFORE YOU STUMBLED BACK TO YOUR HOUSE. 273 00:12:51,238 --> 00:12:53,941 (sighs) 274 00:12:53,974 --> 00:12:55,375 HOW LONG YOU BEEN OFF THE WAGON? 275 00:12:55,408 --> 00:12:57,110 A FEW DAYS. 276 00:12:57,144 --> 00:13:00,147 I'D APPRECIATE IT IF YOU WOULDN'T TELL ANYONE. 277 00:13:00,180 --> 00:13:02,215 IT'S JUST A TEMPORARY RELAPSE. 278 00:13:02,249 --> 00:13:03,984 I'LL GET IT UNDER CONTROL. 279 00:13:04,017 --> 00:13:06,019 LOOK... 280 00:13:06,053 --> 00:13:10,023 ISOLATING YOURSELF IS ONLY GONNA MAKE MATTERS WORSE. 281 00:13:10,057 --> 00:13:12,392 YOU GOT A GREAT GROUP OF FRIENDS. 282 00:13:12,425 --> 00:13:14,127 REACH OUT TO THEM. 283 00:13:14,161 --> 00:13:15,262 I CAN'T. 284 00:13:15,295 --> 00:13:17,364 WE'RE NOT ON SPEAKING TERMS RIGHT NOW. 285 00:13:17,397 --> 00:13:19,299 WELL, I'M SURE YOU CAN FIX THAT. 286 00:13:19,332 --> 00:13:21,301 I TRIED. 287 00:13:21,334 --> 00:13:23,971 BUT THEY ALL SEEM TO HATE ME. 288 00:13:24,004 --> 00:13:27,040 WELL, MY RECOMMENDATION? 289 00:13:27,074 --> 00:13:29,209 START WITH THE ONE WHO HATES YOU THE LEAST. 290 00:13:35,916 --> 00:13:38,085 OH. NOT READY FOR THAT. 291 00:13:38,118 --> 00:13:39,887 (chuckles) 292 00:13:39,887 --> 00:13:41,254 IT'S A BEAUTIFUL DAY. 293 00:13:41,288 --> 00:13:44,357 I'D HATE FOR YOU TO WASTE ANOTHER ONE WITH A HANGOVER. 294 00:13:44,391 --> 00:13:46,927 THANK YOU, BEN. 295 00:13:48,228 --> 00:13:50,130 AH. 296 00:13:53,066 --> 00:13:54,201 SEE YA. 297 00:14:00,207 --> 00:14:02,175 (revs engine) 298 00:14:02,209 --> 00:14:03,010 OHH. 299 00:14:03,043 --> 00:14:05,378 I KNOW CHUCK COULD TELL I WAS LYING. 300 00:14:05,412 --> 00:14:08,181 I ALWAYS DO THAT THING WHEN I LIE. 301 00:14:08,215 --> 00:14:10,083 WH-WHAT THING? 302 00:14:10,117 --> 00:14:11,184 OH, LIKE I'M GONNA TELL YOU. 303 00:14:11,218 --> 00:14:13,120 (sighs) 304 00:14:13,153 --> 00:14:15,555 YOU HAVE NO IDEA HOW TERRIFYING IT WAS. 305 00:14:15,588 --> 00:14:18,558 LOOK, HAVE A DRINK. IT'LL CALM YOU DOWN. 306 00:14:18,591 --> 00:14:19,626 I DON'T WANT A DRINK. 307 00:14:19,659 --> 00:14:21,061 REALLY? 308 00:14:21,094 --> 00:14:22,262 OF COURSE I WANT A DRINK. 309 00:14:22,295 --> 00:14:24,197 SEE? I'M A TERRIBLE LIAR. 310 00:14:24,231 --> 00:14:28,368 LOOK, IF CHUCK HAD SOMETHING CONCRETE, WE'D KNOW. 311 00:14:28,401 --> 00:14:30,270 I'M SURE HE'S JUST FISHING. 312 00:14:31,371 --> 00:14:32,639 HE IS NOT GONNA LET UP. 313 00:14:32,672 --> 00:14:35,175 HE IS JUST WAITING TILL I CRACK. 314 00:14:35,208 --> 00:14:38,245 HONEY, YOU'RE PANICKING OVER NOTHING. THE BODY'S GONE. 315 00:14:38,278 --> 00:14:40,347 CHUCK DOESN'T HAVE A CASE WITHOUT IT. 316 00:14:40,380 --> 00:14:43,550 NO, THE ONLY WAY THIS THING BLOWS UP IS IF SOMEBODY TALKS. 317 00:14:43,583 --> 00:14:45,685 ARE YOU NOT LISTENING TO ME? 318 00:14:45,718 --> 00:14:47,154 I TALK. ME. 319 00:14:47,187 --> 00:14:50,257 I'M THE ONE WHO'S GONNA SEND US AWAY. 320 00:14:50,290 --> 00:14:51,658 (glass rattles) 321 00:14:51,691 --> 00:14:53,226 WE NEED TO GET OUT OF TOWN, 322 00:14:53,260 --> 00:14:54,661 JUST FOR A FEW WEEKS, 323 00:14:54,694 --> 00:14:58,065 UNTIL CHUCK FINDS SOMEONE ELSE TO FOCUS ON. 324 00:14:58,098 --> 00:15:01,034 NOT ONLY WOULD THAT LOOK INCREDIBLY SUSPICIOUS, 325 00:15:01,068 --> 00:15:03,603 WE DON'T HAVE THE KIND OF MONEY TO DO SOMETHING LIKE THAT. 326 00:15:03,636 --> 00:15:05,138 OKAY. MONEY. 327 00:15:05,172 --> 00:15:06,673 WE NEED MONEY. 328 00:15:06,706 --> 00:15:08,508 WE CAN HAVE A GARAGE SALE. 329 00:15:08,541 --> 00:15:10,243 GRAB SOME CHAIRS. I'LL PUT UP SOME FLYERS. 330 00:15:10,277 --> 00:15:12,112 TRUST ME. 331 00:15:12,145 --> 00:15:13,680 WE'RE GONNA STAY HERE, 332 00:15:13,713 --> 00:15:17,184 AND EVERYTHING IS GONNA BE FINE. 333 00:15:17,217 --> 00:15:19,186 WOW. 334 00:15:19,219 --> 00:15:21,221 YOU'RE AN EVEN WORSE LIAR THAN I AM. 335 00:15:27,760 --> 00:15:29,296 OH. HELLO. 336 00:15:29,329 --> 00:15:31,531 EXCUSE ME. HELLO? 337 00:15:31,564 --> 00:15:33,700 SOMEONE IS NEVER GONNA FINISH "THE HELP." 338 00:15:33,733 --> 00:15:35,202 WHAT CAN I DO FOR YOU? 339 00:15:35,235 --> 00:15:37,337 I NEED TO SPEAK WITH MY HUSBAND, CARLOS SOLIS. 340 00:15:37,370 --> 00:15:39,172 IS IT AN EMERGENCY? 341 00:15:39,206 --> 00:15:42,009 NO. I JUST NEED TO TELL HIM SOMETHING. 342 00:15:42,042 --> 00:15:43,510 THEN I CAN'T ALLOW YOU. 343 00:15:43,543 --> 00:15:46,179 MR. SOLIS IS STILL ON RESTRICTED ACCESS. 344 00:15:46,213 --> 00:15:47,147 WHAT DOES THAT MEAN? 345 00:15:47,180 --> 00:15:49,116 UH, FIRST WEEK AFTER ADMISSION, NO VISITORS, 346 00:15:49,149 --> 00:15:51,018 CELL PHONES, OR E-MAILS. NO DISTRACTIONS. 347 00:15:51,051 --> 00:15:53,253 WE ONLY WANT OUR PATIENTS TO FOCUS ON GETTING BETTER. 348 00:15:53,286 --> 00:15:55,322 OKAY, BUT I REALLY NEED TO TALK TO HIM. 349 00:15:55,355 --> 00:15:56,756 I'M SORRY. 350 00:15:56,789 --> 00:15:58,558 THOSE ARE THE RULES. 351 00:16:00,093 --> 00:16:04,197 WELL, RULES ARE MADE TO BE BROKEN. 352 00:16:04,231 --> 00:16:08,301 I'M SURE THERE'S A "NO BOOBS ON THE COUNTER" RULE, TOO. 353 00:16:08,335 --> 00:16:10,137 SERIOUSLY? 354 00:16:11,204 --> 00:16:13,340 MALE NURSE. 355 00:16:14,741 --> 00:16:16,109 RIGHT. 356 00:16:16,143 --> 00:16:17,110 (sighs) 357 00:16:17,144 --> 00:16:18,578 YOU CAN COME BACK ON TUESDAY. 358 00:16:18,611 --> 00:16:21,281 (man speaks indistinctly) 359 00:16:21,314 --> 00:16:24,651 IT'S ALL MY FAULT! I SHOULD'VE SEEN THE SIGNS. IT WASN'T YOUR FAULT. IT WAS MINE. I WAS NEVER AROUND. 360 00:16:24,684 --> 00:16:26,486 KID DIDN'T HAVE A ROLE MODEL. WE'RE GETTING YOU HELP, JIMMY. 361 00:16:26,519 --> 00:16:27,887 THEY'RE GONNA TAKE CARE OF YOU HERE. I DON'T NEED THIS PLACE. 362 00:16:27,920 --> 00:16:31,091 I TOLD YOU. I DON'T HAVE A PROBLEM. (woman) MANZANI. WE CALLED. 363 00:16:31,124 --> 00:16:32,059 ADMISSIONS IS RIGHT THROUGH THAT DOOR. 364 00:16:32,059 --> 00:16:34,727 THANK YOU. COME ON. IT'S GONNA BE ALL RIGHT. 365 00:16:34,761 --> 00:16:37,597 (woman sobs) 366 00:16:37,630 --> 00:16:40,067 WE SHOULD'VE SEEN THIS COMING. 367 00:16:41,601 --> 00:16:45,238 JIMMY, WE'RE ONLY DOING THIS BECAUSE WE LOVE YOU. 368 00:16:45,272 --> 00:16:49,242 SUCH A TRAGEDY. SO MUCH POTENTIAL. 369 00:16:49,276 --> 00:16:50,510 ALL RIGHT, GOTTA GO. 370 00:16:52,745 --> 00:16:54,081 EXCUSE ME. 371 00:16:55,282 --> 00:16:56,616 WHERE ARE YOU SUPPOSED TO BE? 372 00:16:56,649 --> 00:16:59,652 OH, UH, I'M WITH THEM-- THE MANZINIS. 373 00:16:59,686 --> 00:17:01,088 IF YOU'RE WITH THE FAMILY, 374 00:17:01,121 --> 00:17:02,089 YOU NEED TO STAY FOR GROUP COUNSELING. 375 00:17:02,089 --> 00:17:04,724 OH, I DON'T THINK I HAVE MUCH TO CONTRIBUTE. 376 00:17:04,757 --> 00:17:05,825 IT'S VITAL. 377 00:17:05,858 --> 00:17:07,627 THIS WAY. 378 00:17:09,496 --> 00:17:11,098 (button clicks) 379 00:17:11,098 --> 00:17:13,100 COME ON, TOM. 380 00:17:13,100 --> 00:17:15,102 I KNOW YOU'RE THERE. 381 00:17:15,102 --> 00:17:17,137 (clicks) 382 00:17:17,170 --> 00:17:19,139 FINE. I'LL GET IN ANOTHER WAY 383 00:17:19,172 --> 00:17:21,108 AND POUND ON YOUR DOOR UNTIL YOU OPEN UP. (clicks) 384 00:17:21,108 --> 00:17:22,575 (woman) Yes? 385 00:17:22,609 --> 00:17:24,111 (imitates Spanish accent) HOLA. 386 00:17:24,144 --> 00:17:25,478 MY NAME IS MARIA. 387 00:17:25,512 --> 00:17:28,615 I FORGOT THE KEYS TO MR. TOM'S CASA. 388 00:17:28,648 --> 00:17:30,450 COULD YOU LET ME IN, POR FAVOR? 389 00:17:30,483 --> 00:17:33,686 There's no Mr. Tom here. You have the wrong apartment. 390 00:17:33,720 --> 00:17:34,821 NO. 391 00:17:34,854 --> 00:17:38,825 I AM DOING THE CLEANING FOR MR. TOM. 392 00:17:38,858 --> 00:17:42,495 WOW. IMPERSONATING A MAID STEREOTYPE. 393 00:17:42,529 --> 00:17:43,763 PATHETIC MUCH? 394 00:17:43,796 --> 00:17:45,498 (normal voice) OH, CHLOE, LOOK, 395 00:17:45,532 --> 00:17:47,734 I KNOW YOUR MOTHER AND MY HUSBAND ARE LEAVING FOR PARIS. 396 00:17:47,767 --> 00:17:49,602 I JUST NEED TO TALK TO TOM FOR FIVE MINUTES 397 00:17:49,636 --> 00:17:51,171 BEFORE THEY HEAD TO THE AIRPORT. 398 00:17:51,204 --> 00:17:52,705 THEY LEFT AN HOUR AGO. 399 00:17:52,739 --> 00:17:53,840 Who's there? 400 00:17:53,873 --> 00:17:55,875 I GOT IT, MS. SCHOENFIELD. 401 00:17:55,908 --> 00:17:57,644 This is Ms. Schoenfield. 402 00:17:57,677 --> 00:17:58,878 DO YOU KNOW WHAT FLIGHT THEY'RE TAKING? 403 00:17:58,911 --> 00:18:00,580 IT'S REALLY IMPORTANT I TALK WITH TOM. 404 00:18:00,613 --> 00:18:01,881 HE'S NOT PICKING UP HIS PHONE. 405 00:18:01,914 --> 00:18:03,616 JEEZ, STALK MUCH? 406 00:18:03,650 --> 00:18:06,586 COME ON. COME ON. I'M NOT A STALKER. 407 00:18:06,619 --> 00:18:09,656 SERIOUSLY? MY MOM TOLD ME YOU WERE HIDING UNDER HIS BED 408 00:18:09,689 --> 00:18:11,158 WHILE THEY WERE IN IT. 409 00:18:11,158 --> 00:18:12,825 SO I'M CERTAINLY NOT GOING TO HELP YOU 410 00:18:12,859 --> 00:18:14,661 SABOTAGE HER TRIP TO PARIS. 411 00:18:14,694 --> 00:18:16,763 LISTEN TO ME. SOMETHING HAPPENED YESTERDAY. 412 00:18:16,796 --> 00:18:20,167 AND I CAN'T GO INTO IT, BUT TOM NEEDS TO BE HERE-- 413 00:18:20,200 --> 00:18:21,901 NOT FOR ME, FOR THE KIDS. 414 00:18:21,934 --> 00:18:24,737 PLEASE. PLEASE. 415 00:18:26,439 --> 00:18:27,840 FINE. 416 00:18:27,874 --> 00:18:29,876 I'VE GOT THEIR FLIGHT INFORMATION UPSTAIRS. (beep) 417 00:18:29,909 --> 00:18:31,844 THANK YOU. 418 00:18:31,878 --> 00:18:33,813 (crying) IT'S CLEAR JIMMY FEELS CONFLICTED 419 00:18:33,846 --> 00:18:36,216 ABOUT WHETHER OR NOT HE BELONGS IN REHAB, 420 00:18:36,249 --> 00:18:37,584 BUT HIS LOVED ONES-- 421 00:18:37,617 --> 00:18:38,918 ALL OF YOU IN THIS ROOM-- 422 00:18:38,951 --> 00:18:41,721 ARE HERE BECAUSE YOU CARE DEEPLY ABOUT HELPING HIM. 423 00:18:41,754 --> 00:18:43,623 SO LET'S START BY SHARING WITH JIMMY 424 00:18:43,656 --> 00:18:47,527 THE WAYS HIS DRINKING HAS IMPACTED YOUR LIVES. 425 00:18:47,560 --> 00:18:49,396 MRS. MANZANI, GO AHEAD. 426 00:18:49,429 --> 00:18:51,498 WELL, ACTUALLY, CAN I GO FIRST? 427 00:18:51,531 --> 00:18:53,200 I HAVE SOMEWHERE I NEED TO BE. 428 00:18:56,236 --> 00:18:58,571 WHO ARE YOU? 429 00:18:58,605 --> 00:19:00,207 I THOUGHT YOU WORKED HERE. 430 00:19:00,240 --> 00:19:02,209 NO. NO. NO. I AM... 431 00:19:02,242 --> 00:19:03,743 HIS GIRLFRIEND. 432 00:19:03,776 --> 00:19:06,613 EX-GIRLFRIEND, YOU KNOW, SINCE ALL THE PROBLEMS STARTED. 433 00:19:06,646 --> 00:19:08,715 GIRLFRIEND? 434 00:19:08,748 --> 00:19:10,817 ANOTHER THING YOU DIDN'T TELL US ABOUT. 435 00:19:10,850 --> 00:19:12,219 SHE'S NOT MY GIRLFRIEND. 436 00:19:12,219 --> 00:19:13,886 I NEVER SEEN HER BEFORE. 437 00:19:16,956 --> 00:19:18,491 (scoffs) 438 00:19:18,525 --> 00:19:20,493 YEAH. THAT'S THE PROBLEM RIGHT THERE. 439 00:19:20,527 --> 00:19:21,628 YOU KNOW, HOW CAN YOU HAVE A RELATIONSHIP 440 00:19:21,661 --> 00:19:24,697 WHEN YOUR BOYFRIEND DRINKS AND DOESN'T EVEN REMEMBER YOU? 441 00:19:24,731 --> 00:19:26,466 WHY ARE YOU WEARING A WEDDING RING? 442 00:19:27,534 --> 00:19:28,935 OH... 443 00:19:28,968 --> 00:19:30,703 'CAUSE I MOVED ON. 444 00:19:30,737 --> 00:19:32,372 THAT'S RIGHT, JIMMY. YOU HAD TO HEAR IT. 445 00:19:32,405 --> 00:19:34,874 I SERIOUSLY HAD YOU FOR A GIRLFRIEND? 446 00:19:34,907 --> 00:19:36,776 YOU ARE SMOKING HOT. 447 00:19:36,809 --> 00:19:38,711 YEAH, I AM. 448 00:19:38,745 --> 00:19:40,947 OH, MY GOD. I DO HAVE A PROBLEM. 449 00:19:40,980 --> 00:19:43,850 I WAS WITH SOMEONE LIKE YOU. I DON'T EVEN REMEMBER IT. 450 00:19:43,883 --> 00:19:46,453 MOM, POP, 451 00:19:46,486 --> 00:19:47,587 I WANT TO GET BETTER. 452 00:19:47,620 --> 00:19:48,588 OH! 453 00:19:48,621 --> 00:19:49,589 OH, JIMMY! 454 00:19:49,622 --> 00:19:51,524 THAT'S THE SPIRIT, JIMMY! 455 00:19:51,558 --> 00:19:53,760 NOW THERE'S A LOT OF PEOPLE IN HERE JUST LIKE YOU 456 00:19:53,793 --> 00:19:55,628 WHO CAN HELP YOU, 457 00:19:55,662 --> 00:19:57,864 LIKE, UH, LIKE JASON HURWITZ 458 00:19:57,897 --> 00:20:00,933 AND PETER MORTON AND CARLOS SOLIS, ROOM 247. 459 00:20:00,967 --> 00:20:02,769 OKAY. GOOD LUCK. 460 00:20:11,844 --> 00:20:12,812 (whispers) HEY! 461 00:20:12,845 --> 00:20:13,913 (turns off vacuum cleaner) 462 00:20:13,946 --> 00:20:16,349 GABY, WHAT ARE YOU DOING HERE? 463 00:20:16,383 --> 00:20:17,450 ARE THE KIDS OKAY? 464 00:20:17,484 --> 00:20:19,852 YEAH, THE KIDS ARE FINE. I JUST NEEDED TO TALK TO YOU. 465 00:20:19,886 --> 00:20:21,754 WHAT'S THIS? YOU DON'T LIFT A FINGER AT HOME, 466 00:20:21,788 --> 00:20:23,456 BUT HERE YOU VACUUM? 467 00:20:23,490 --> 00:20:24,824 THIS IS MY GROUP TASK. 468 00:20:24,857 --> 00:20:27,360 RECOVERY HERE IS BASED ON TWO CORE PRINCIPLES-- 469 00:20:27,394 --> 00:20:29,862 RESPONSIBILITY AND TOTAL HONESTY. 470 00:20:29,896 --> 00:20:31,398 OKAY. GREAT. 471 00:20:31,431 --> 00:20:34,534 COME IN HERE. I NEED TO TALK TO YOU ABOUT A LIE. 472 00:20:34,567 --> 00:20:37,504 SO WHEN CHUCK ASKS WHAT MADE YOU START DRINKING-- 473 00:20:37,537 --> 00:20:38,805 AND I'M GUESSING HE WILL-- 474 00:20:38,838 --> 00:20:40,607 SAY YOU CHEATED ON ME. 475 00:20:40,640 --> 00:20:41,774 WITH WHO? 476 00:20:41,808 --> 00:20:43,443 IT DOESN'T MATTER. 477 00:20:43,476 --> 00:20:44,844 SOMEONE UGLY. DON'T GO OVERBOARD. 478 00:20:44,877 --> 00:20:46,413 SO... (sighs) 479 00:20:46,446 --> 00:20:48,715 CHUCK SAW SUSAN'S PAINTINGS, HE'S QUESTIONED EACH OF YOU, 480 00:20:48,748 --> 00:20:51,851 AND YOU THINK THIS ONE LIE IS GOING TO THROW HIM OFF? 481 00:20:51,884 --> 00:20:52,852 HE'S GOT NOTHING ELSE. 482 00:20:52,885 --> 00:20:54,854 GABY, LET ME TELL YOU SOMETHING ABOUT COPS. 483 00:20:54,887 --> 00:20:58,758 WHAT YOU THINK HE KNOWS IS ABOUT ONE-TENTH OF WHAT HE DOES KNOW. 484 00:21:00,560 --> 00:21:02,462 WE HAVE GOT TO STOP THIS GUY. 485 00:21:02,495 --> 00:21:05,398 GOD, THIS IS A HELL OF A TIME FOR ME TO BE STUCK IN HERE. 486 00:21:05,432 --> 00:21:07,800 NO, HONEY. HEY, HEY, IT'S GONNA BE FINE, OKAY? 487 00:21:07,834 --> 00:21:09,602 YOU JUST FOCUS ON GETTING BETTER. 488 00:21:11,404 --> 00:21:12,505 I'LL TRY. 489 00:21:12,539 --> 00:21:15,742 OKAY, WELL, I SHOULD GET OUT OF HERE BEFORE THEY FIND ME. 490 00:21:15,775 --> 00:21:17,810 TELL THE GIRLS I MISS 'EM? 491 00:21:17,844 --> 00:21:19,646 THEY MISS YOU, TOO. 492 00:21:26,686 --> 00:21:27,820 MR. BERGMAN, HI. 493 00:21:27,854 --> 00:21:29,522 UH, REMEMBER ME? 494 00:21:29,556 --> 00:21:33,393 REMEMBER YOU? SUSAN DELFINO, YOU SOLD FIVE PAINTINGS 495 00:21:33,426 --> 00:21:35,695 20 MINUTES INTO YOUR FIRST ART SHOW. 496 00:21:35,728 --> 00:21:37,797 YOU ARE MY PRODIGY. 497 00:21:37,830 --> 00:21:40,700 ARE YOU HERE TO REVEL IN YOUR GLORY? 498 00:21:40,733 --> 00:21:43,836 ACTUALLY, NO, UH, SEE, I'M... 499 00:21:43,870 --> 00:21:46,373 UH, KIND OF IN A ROUGH SPOT RIGHT NOW. 500 00:21:46,373 --> 00:21:47,474 OH, DEAR. 501 00:21:47,507 --> 00:21:49,776 YOU SEEM A BIT AGITATED. 502 00:21:49,809 --> 00:21:52,812 YOU'RE NOT CONSIDERING JUMPING OFF A BRIDGE, ARE YOU? 503 00:21:52,845 --> 00:21:54,113 BUT IF YOU ARE, 504 00:21:54,146 --> 00:21:55,782 COULD YOU PLEASE LEAVE BEHIND 505 00:21:55,815 --> 00:21:58,718 A LARGE BODY OF WORK FOR ME TO SELL? 506 00:21:58,751 --> 00:22:02,822 NO. UH, IT'S JUST, UM... 507 00:22:02,855 --> 00:22:06,793 I NEED THE MONEY FROM MY PAINTINGS, PLEASE. 508 00:22:06,826 --> 00:22:09,596 OH. I JUST STARTED ON THE PAPERWORK. 509 00:22:09,629 --> 00:22:12,732 YOU SHOULD RECEIVE A CHECK IN UH, FOUR TO SIX WEEKS. 510 00:22:12,765 --> 00:22:16,135 OH, NO, NO, NO. I-I NEED IT NOW. 511 00:22:16,168 --> 00:22:18,671 I, UM... 512 00:22:18,705 --> 00:22:20,673 HAVE TO GET OUT OF TOWN FOR A WHILE. 513 00:22:20,707 --> 00:22:22,409 OHH. 514 00:22:22,409 --> 00:22:25,412 MY HOUSEWIFE JUST GOT EVEN MORE INTERESTING. 515 00:22:25,445 --> 00:22:26,813 ARE YOU A JUNKIE? 516 00:22:26,846 --> 00:22:27,614 GAMBLER? 517 00:22:27,647 --> 00:22:30,149 ARE YOU ON THE RUN FROM THE MOB? 518 00:22:30,182 --> 00:22:33,152 I CAN'T TELL YOU WHAT IT IS. 519 00:22:33,185 --> 00:22:34,487 I JUST REALLY NEED THAT MONEY. 520 00:22:34,521 --> 00:22:35,755 WELL, HERE'S THE THING-- 521 00:22:35,788 --> 00:22:40,693 UM, I AM HAVING A TEENSY BIT OF A CASH-FLOW PROBLEM. (chuckles) 522 00:22:40,727 --> 00:22:42,662 BUT I ASSURE YOU, 523 00:22:42,695 --> 00:22:43,796 EIGHT TO TEN WEEKS-- 524 00:22:43,830 --> 00:22:45,532 I THOUGHT YOU SAID FOUR TO SIX. 525 00:22:45,565 --> 00:22:47,534 OKAY, NOT SO TEENSY. 526 00:22:47,567 --> 00:22:50,670 MR. BERGMAN, I WOULDN'T ASK IF IT WASN'T REALLY IMPORTANT. 527 00:22:50,703 --> 00:22:53,072 NO, I WILL SEE WHAT I CAN DO, 528 00:22:53,105 --> 00:22:55,642 BUT NO PROMISES... 529 00:22:55,675 --> 00:22:58,878 MY MYSTERIOUS LITTLE HOUSEWIFE. 530 00:23:02,682 --> 00:23:03,650 (chuckles) 531 00:23:03,683 --> 00:23:04,617 MM. (laughs) 532 00:23:04,651 --> 00:23:07,186 THAT'S NICE. WHAT'S THAT FOR? (hose shuts off) 533 00:23:07,219 --> 00:23:10,457 OH, YOU WERE RIGHT. A HUG SHOULD BE FOR SOMETHING, 534 00:23:10,490 --> 00:23:12,759 LIKE THE ONE I SAW YOU GIVING BREE THIS MORNING. 535 00:23:12,792 --> 00:23:14,126 WHAT WAS THAT FOR? 536 00:23:14,160 --> 00:23:15,462 OH, RENEE. 537 00:23:15,462 --> 00:23:16,763 THAT WAS NOTHING. 538 00:23:16,796 --> 00:23:19,566 OH, SO YOU'RE JUST GOING DOOR-TO-DOOR GIVING HUGS? 539 00:23:19,599 --> 00:23:21,734 WHAT, IS THAT AN AUSTRALIAN THING? 540 00:23:21,768 --> 00:23:25,171 LOOK, THERE IS NOTHING BETWEEN ME AND BREE. 541 00:23:25,204 --> 00:23:27,840 SHE'S JUST GOING THROUGH SOMETHING RIGHT NOW. 542 00:23:27,874 --> 00:23:30,076 I WAS A SHOULDER TO CRY ON. 543 00:23:30,109 --> 00:23:31,678 (car door opens) 544 00:23:31,711 --> 00:23:35,482 OH, AS LONG AS THAT SHOULDER ISN'T A GATEWAY BODY PART. 545 00:23:35,482 --> 00:23:36,816 (car door closes) 546 00:23:36,849 --> 00:23:38,485 (footsteps approach) 547 00:23:38,485 --> 00:23:41,053 OH, I'M SORRY TO INTERRUPT. I ONLY NEED A MINUTE. 548 00:23:41,087 --> 00:23:42,722 I JUST HAVE TO ASK YOU 549 00:23:42,755 --> 00:23:44,791 A COUPLE QUESTIONS ABOUT YOUR GIRLFRIEND. 550 00:23:44,824 --> 00:23:46,526 SO ASK ME. 551 00:23:46,559 --> 00:23:47,827 I'M STANDING RIGHT HERE. 552 00:23:47,860 --> 00:23:49,696 NOT YOU. BREE. 553 00:23:51,531 --> 00:23:52,565 FUNNY. 554 00:23:52,599 --> 00:23:56,102 WE WERE JUST TALKING ABOUT YOUR GIRLFRIEND BREE. 555 00:23:56,135 --> 00:23:57,570 GOOD-BYE. 556 00:23:57,604 --> 00:23:58,771 RENEE... 557 00:24:01,073 --> 00:24:03,042 WHY THE HELL WOULD YOU DO THAT FOR? 558 00:24:03,075 --> 00:24:04,511 I DON'T KNOW. 559 00:24:04,544 --> 00:24:06,513 JUST TRYING TO MAKE YOUR LIFE MISERABLE. 560 00:24:06,513 --> 00:24:07,614 OH, AND I GOT MORE. 561 00:24:07,647 --> 00:24:09,248 I'M TRACKING DOWN A MISSING PERSON. 562 00:24:09,281 --> 00:24:11,584 IT TURNS OUT HIS LAST PHONE SIGNAL 563 00:24:11,618 --> 00:24:14,153 CAME FROM SOMEWHERE ON YOUR CONSTRUCTION SITE. 564 00:24:14,186 --> 00:24:16,155 I DON'T KNOW ANYTHING ABOUT THAT. 565 00:24:16,188 --> 00:24:18,691 DOESN'T MATTER. STILL A GREAT REASON TO SHUT YOU DOWN. 566 00:24:19,759 --> 00:24:21,127 HOW LONG? 567 00:24:21,160 --> 00:24:23,129 TWO WEEKS. MAYBE A MONTH. I DON'T KNOW. 568 00:24:23,162 --> 00:24:24,797 OH, LET ME GUESS-- 569 00:24:24,831 --> 00:24:28,134 AS LONG AS IT TAKES FOR ME TO LOSE MY INVESTMENT, YEAH? 570 00:24:28,167 --> 00:24:31,638 THAT SOUNDS ABOUT RIGHT. 571 00:24:31,671 --> 00:24:34,607 YOU'RE NOT GETTING ON THAT PROPERTY WITHOUT A WARRANT. 572 00:24:36,709 --> 00:24:38,578 OH, JEEZ. 573 00:24:38,611 --> 00:24:41,113 WHERE WOULD A DETECTIVE GET ONE OF THOSE? 574 00:24:43,683 --> 00:24:45,752 SEE YOU MONDAY. 575 00:24:54,260 --> 00:24:57,196 OH, MY GOD. THIS TASTES SO GOOD. 576 00:24:57,229 --> 00:24:59,298 I KNOW. IT REMINDS ME OF THE FIRST TIME 577 00:24:59,331 --> 00:25:01,701 LYNETTE AND I EVER FLEW FIRST CLASS. 578 00:25:01,734 --> 00:25:03,269 WE HAD BEEN SO USED TO TRAVELING COACH-- 579 00:25:03,302 --> 00:25:04,270 TOM? 580 00:25:04,303 --> 00:25:05,738 YEAH? 581 00:25:05,772 --> 00:25:09,576 PLEASE DON'T TAKE THIS THE WRONG WAY, BUT... 582 00:25:09,576 --> 00:25:12,211 YOU'RE ON A ROMANTIC TRIP WITH YOUR GIRLFRIEND. 583 00:25:12,244 --> 00:25:15,281 DO YOU THINK IT COULD JUST STAY THE TWO OF US? 584 00:25:15,314 --> 00:25:17,650 I'M SORRY. 585 00:25:17,684 --> 00:25:20,186 (chuckles) OLD HABITS. 586 00:25:20,219 --> 00:25:24,056 THAT IS THE LAST TIME YOU'LL HEAR OF LYNETTE. 587 00:25:27,594 --> 00:25:28,661 TO PARIS... 588 00:25:28,695 --> 00:25:30,029 (clink) MA CHERI. 589 00:25:30,062 --> 00:25:32,164 MMM. (chuckles) 590 00:25:32,198 --> 00:25:33,666 OH. 591 00:25:33,700 --> 00:25:36,302 GOOD. STAY CLOSE WITH THAT MOP. 592 00:25:36,335 --> 00:25:37,970 (woman over P.A.) FLIGHT 502 TO PARIS 593 00:25:38,004 --> 00:25:39,639 WILL BE BOARDING IN FIVE MINUTES. 594 00:25:39,672 --> 00:25:41,774 I'M GONNA RUN TO THE MEN'S ROOM. IT'S A LONG FLIGHT, 595 00:25:41,808 --> 00:25:44,611 AND AIRPLANE BATHROOMS FREAK ME OUT. 596 00:25:44,644 --> 00:25:46,613 WELL, THERE GOES ONE FANTASY. 597 00:25:46,613 --> 00:25:48,247 OH. (chuckles) 598 00:25:56,355 --> 00:25:58,190 HEY, LYNETTE. 599 00:25:58,224 --> 00:26:00,192 (turns off faucet) WHAT THE HELL ARE YOU DOING HERE? 600 00:26:00,226 --> 00:26:01,327 I NEED TO TALK TO YOU. 601 00:26:01,360 --> 00:26:02,629 I CAN'T BELIEVE YOU. 602 00:26:02,629 --> 00:26:04,631 YOU THINK I WANT TO CHASE YOU DOWN IN AN AIRPORT MEN'S ROOM? 603 00:26:04,664 --> 00:26:05,732 NOW LISTEN TO ME. 604 00:26:05,765 --> 00:26:08,000 I CAN ONLY BREATHE THROUGH MY MOUTH FOR A FEW MINUTES. 605 00:26:08,034 --> 00:26:10,369 WELL, YOU CAN SAVE YOUR BREATH, 606 00:26:10,402 --> 00:26:12,672 'CAUSE I AM GOING-- 607 00:26:14,206 --> 00:26:16,342 I AM GOING TO PARIS WITH JANE, 608 00:26:16,375 --> 00:26:18,978 AND I'M SORRY IF YOU'RE HAVING A HARD TIME WITH IT. 609 00:26:19,011 --> 00:26:21,748 THIS ISN'T ABOUT YOU AND JANE. LOOK. SEE? GOOD WITH IT. OKAY? 610 00:26:21,781 --> 00:26:24,651 OKAY, GOOD. THEN--THEN WHY ARE YOU HERE? 611 00:26:24,651 --> 00:26:29,121 BECAUSE YOU CAN'T GO TO PARIS, NOT NOW. 612 00:26:29,155 --> 00:26:30,356 OKAY, I'M CONFUSED. 613 00:26:30,389 --> 00:26:32,358 YOU DON'T CARE IF I GO TO PARIS WITH JANE, 614 00:26:32,391 --> 00:26:34,126 BUT YOU'RE TELLING ME I CAN'T GO TO PARIS WITH JANE. 615 00:26:34,160 --> 00:26:35,394 I'M SORRY. I HAVE TO TELL YOU SOMETHING, 616 00:26:35,427 --> 00:26:37,129 BUT IT'S JUST REALLY HARD TO SAY-- 617 00:26:37,163 --> 00:26:39,165 I'M SORRY, BUT MY PLANE IS BOARDING. I HAVE TO GO. 618 00:26:39,198 --> 00:26:41,267 I'M AN ACCESSORY TO MURDER. 619 00:26:53,680 --> 00:26:55,281 HERE. LET ME HELP YOU WITH THIS. 620 00:26:55,314 --> 00:26:58,250 I THINK YOU'VE HELPED ENOUGH. 621 00:26:58,284 --> 00:27:00,286 GABY, PLEASE. I CAN'T STAND THIS ANYMORE. 622 00:27:00,319 --> 00:27:02,021 CAN'T WE TALK FOR A MINUTE? 623 00:27:02,054 --> 00:27:03,155 (sighs) TO BE HONEST, 624 00:27:03,189 --> 00:27:05,357 AFTER WHAT CHUCK PUT ME THROUGH, I'M KIND OF TALKED OUT. 625 00:27:05,391 --> 00:27:07,359 WAIT. WHAT DO YOU MEAN? 626 00:27:07,393 --> 00:27:10,062 HE INTERROGATED US-- ME, LYNETTE, AND SUSAN. 627 00:27:10,096 --> 00:27:12,899 HE CALLED US DOWN TO THE STATION AND GRILLED US ONE BY ONE. 628 00:27:12,932 --> 00:27:14,333 WHY DIDN'T HE CALL ME DOWN THERE? 629 00:27:14,366 --> 00:27:16,435 GOOD QUESTION, GIVEN THIS WHOLE THING IS ABOUT YOU. 630 00:27:16,468 --> 00:27:18,337 WHAT ARE YOU TALKING ABOUT? 631 00:27:18,370 --> 00:27:20,973 BREE, HE WANTS REVENGE. HE WANTS TO BRING YOU DOWN, 632 00:27:21,007 --> 00:27:22,441 AND WE'RE ALL GONNA GO DOWN WITH YOU. 633 00:27:22,474 --> 00:27:24,243 GABY, PLEASE. 634 00:27:24,276 --> 00:27:27,113 I WILL FIGURE OUT A WAY TO MAKE THINGS BETTER. 635 00:27:27,146 --> 00:27:28,080 NO, YOU WON'T. 636 00:27:28,114 --> 00:27:31,450 THIS ISN'T GONNA STOP UNTIL CHUCK IS STOPPED. 637 00:27:31,483 --> 00:27:34,186 (sighs) 638 00:27:39,458 --> 00:27:41,160 SAY SOMETHING. 639 00:27:41,193 --> 00:27:43,095 WHY DIDN'T YOU TELL ME THIS? 640 00:27:43,129 --> 00:27:46,198 I WANTED TO, A HUNDRED TIMES, BUT WE WEREN'T TOGETHER ANYMORE, 641 00:27:46,232 --> 00:27:48,935 AND IT SEEMED WRONG TO DRAG YOU INTO IT. 642 00:27:48,968 --> 00:27:50,937 TOM? 643 00:27:50,970 --> 00:27:52,204 PLANE'S BOARDING. 644 00:27:54,140 --> 00:27:57,176 YOU'VE GOT TO BE KIDDING ME. 645 00:27:57,209 --> 00:28:00,412 JANE, I'M SORRY. I KNOW WHAT THIS MUST LOOK LIKE. 646 00:28:00,446 --> 00:28:02,214 REALLY? 647 00:28:02,248 --> 00:28:05,217 YOU KNOW WHAT IT LOOKS LIKE TO WALK INTO A MEN'S ROOM 648 00:28:05,251 --> 00:28:07,253 AND FIND YOUR BOYFRIEND'S EX CHATTING HIM UP 649 00:28:07,286 --> 00:28:09,155 BEFORE YOUR FLIGHT TO PARIS? 650 00:28:09,188 --> 00:28:10,456 IT'S NOT LIKE THAT. 651 00:28:10,489 --> 00:28:13,259 OH. OF COURSE NOT. I'M THE CRAZY ONE. 652 00:28:13,292 --> 00:28:15,895 YOU TWO RENDEZVOUSING IN AN AIRPORT TOILET? 653 00:28:15,928 --> 00:28:18,264 I'M THE NUT JOB. SHE'S HIDING UNDER YOUR BED? 654 00:28:18,297 --> 00:28:20,232 JANE'S THE ONE WHO NEEDS TO BE SEDATED. 655 00:28:20,266 --> 00:28:24,036 TOM, I REALLY CAN'T DEAL WITH THIS RIGHT NOW. CAN WE JUST GO? 656 00:28:32,311 --> 00:28:37,183 YOU ARE NOT DOING THIS TO ME RIGHT NOW. 657 00:28:38,217 --> 00:28:42,154 WE WILL GO AT THE END OF THIS MONTH. 658 00:28:42,188 --> 00:28:43,355 I PROMISE. 659 00:28:49,461 --> 00:28:51,998 (door opens) 660 00:28:52,031 --> 00:28:53,299 JANE. 661 00:28:53,332 --> 00:28:55,434 JANE, IT'S REALLY NOT TOM'S FAULT. 662 00:29:00,139 --> 00:29:01,941 TOM... 663 00:29:01,974 --> 00:29:03,142 HONEY... 664 00:29:03,175 --> 00:29:05,277 YOU KNOW WHAT SHE'S DOING, RIGHT? 665 00:29:05,311 --> 00:29:07,947 YOU GIVE IN HERE, NOW, 666 00:29:07,980 --> 00:29:09,916 IT'LL NEVER STOP. 667 00:29:09,949 --> 00:29:13,185 I AM SO SORRY. 668 00:29:13,219 --> 00:29:15,187 IT--BUT... 669 00:29:15,221 --> 00:29:17,523 THERE ARE EXTENUATING CIRCUMSTANCES. 670 00:29:17,556 --> 00:29:18,991 OKAY. 671 00:29:19,025 --> 00:29:20,359 THEN TELL ME. 672 00:29:20,392 --> 00:29:22,394 TELL ME WHAT THEY ARE. 673 00:29:22,428 --> 00:29:25,031 I THINK I AT LEAST DESERVE THAT. 674 00:29:33,072 --> 00:29:35,107 UH... 675 00:29:35,141 --> 00:29:37,076 OKAY. 676 00:29:41,513 --> 00:29:44,283 I'M GOING TO PARIS, 677 00:29:44,316 --> 00:29:48,020 AND IF YOU WANT, YOU CAN MEET ME THERE. 678 00:29:55,194 --> 00:29:56,462 I'M SO SORRY. 679 00:29:56,495 --> 00:29:59,265 LYNETTE, DON'T. 680 00:29:59,298 --> 00:30:00,466 JUST... 681 00:30:00,499 --> 00:30:02,468 DON'T TALK. 682 00:30:09,575 --> 00:30:13,345 (doorbell rings) 683 00:30:13,379 --> 00:30:16,015 (gasps) OH, MY GOD! YOU BROUGHT IT. 684 00:30:16,048 --> 00:30:19,018 NOW BEFORE I GIVE IT TO YOU-- OH, WELL, THAT NEVER WORKS. 685 00:30:19,051 --> 00:30:20,286 (squeals) 686 00:30:20,319 --> 00:30:21,520 WHAT I WAS GOING TO SAY... 687 00:30:21,553 --> 00:30:24,991 I HAVE A LITTLE PROPOSITION FOR YOU. 688 00:30:25,024 --> 00:30:27,326 OH, CALM DOWN. IT'S NOT SEX. 689 00:30:27,359 --> 00:30:29,328 DANG IT. 690 00:30:29,361 --> 00:30:32,231 I BELIEVE YOU HAVE THAT CERTAIN SOMETHING 691 00:30:32,264 --> 00:30:35,101 THAT MAKES A GREAT ARTIST. 692 00:30:35,134 --> 00:30:36,402 MAYBE IT'S TALENT. 693 00:30:36,435 --> 00:30:38,404 MAYBE IT'S MENTAL ILLNESS. 694 00:30:38,437 --> 00:30:41,040 ALL I HEARD WAS "GREAT ARTIST." KEEP GOING. 695 00:30:41,073 --> 00:30:43,375 FAIRVIEW IS NOT THE FERTILE GROUND 696 00:30:43,409 --> 00:30:46,478 REQUIRED FOR YOU TO GROW. 697 00:30:46,512 --> 00:30:49,048 I THINK WE NEED TO MOVE YOUR SKINNY LITTLE TUSH 698 00:30:49,081 --> 00:30:50,349 TO NEW YORK CITY. 699 00:30:50,382 --> 00:30:52,952 MOVE? UH, NO. 700 00:30:52,985 --> 00:30:55,087 I JUST NEED TO GET AWAY FOR A FEW WEEKS. 701 00:30:55,121 --> 00:30:56,923 I'LL SET YOU UP IN AN APARTMENT. 702 00:30:56,956 --> 00:30:58,024 YOU PAINT. 703 00:30:58,057 --> 00:31:00,359 I'LL TAKE 50% OF WHATEVER I SELL, 704 00:31:00,392 --> 00:31:04,230 BUT LET'S NOT GET BOGGED DOWN IN HOW THE SAUSAGE GETS MADE. 705 00:31:04,263 --> 00:31:05,464 WHAT ABOUT MY FAMILY? 706 00:31:05,497 --> 00:31:08,300 MY SON IS IN THE MIDDLE OF THIRD GRADE. 707 00:31:08,334 --> 00:31:11,037 NEW YORK HAS THE BEST PRIVATE SCHOOLS IN THE WORLD. 708 00:31:11,070 --> 00:31:14,340 HE CAN WEAR A LITTLE BLAZER TO SCHOOL. 709 00:31:14,373 --> 00:31:16,943 HECK, IF HE CAN FIT INTO A CHILD'S MEDIUM, 710 00:31:16,976 --> 00:31:18,544 I CAN LOAN HIM ONE OF MINE. 711 00:31:20,279 --> 00:31:22,148 OH. 712 00:31:22,181 --> 00:31:25,084 (clicks tongue) I NEVER REALLY THOUGHT ABOUT MOVING BEFORE. 713 00:31:25,117 --> 00:31:27,486 WELL, WHAT IS KEEPING YOU HERE? 714 00:31:33,125 --> 00:31:35,027 YEAH, NOT MUCH. 715 00:31:35,061 --> 00:31:36,128 OKAY. 716 00:31:36,162 --> 00:31:37,496 THINK IT OVER. 717 00:31:37,529 --> 00:31:41,100 BUT IF YOU TURN ME DOWN, THEN I'LL KNOW... 718 00:31:41,133 --> 00:31:43,269 (whispers) IT'S MENTAL ILLNESS. 719 00:31:46,205 --> 00:31:49,208 (door opens and closes) 720 00:31:49,241 --> 00:31:50,509 (indistinct conversations) 721 00:31:50,542 --> 00:31:53,345 (footsteps approach) 722 00:31:53,379 --> 00:31:56,015 I WANT TO OFFER YOU A DEAL. 723 00:31:56,048 --> 00:31:57,383 A DEAL? 724 00:31:57,416 --> 00:31:59,085 REALLY? 725 00:31:59,118 --> 00:32:00,987 TERMS? 726 00:32:00,987 --> 00:32:01,988 WHATEVER I'VE DONE-- 727 00:32:01,988 --> 00:32:04,690 OR WHATEVER IT IS YOU THINK I'VE DONE-- 728 00:32:04,723 --> 00:32:08,127 YOU... WRITE IT UP, AND I'LL SIGN A CONFESSION. 729 00:32:09,361 --> 00:32:11,263 IN EXCHANGE FOR... 730 00:32:11,297 --> 00:32:13,065 YOU LEAVE MY FRIENDS OUT OF IT. 731 00:32:13,099 --> 00:32:14,066 OH, DARN. 732 00:32:14,100 --> 00:32:16,702 I WAS ACTUALLY INTERESTED THERE FOR A MINUTE. 733 00:32:16,735 --> 00:32:18,470 WHAT DO YOU HOPE TO GAIN BY HARASSING MY FRIENDS? 734 00:32:18,504 --> 00:32:20,006 WHAT DO YOU WANT? 735 00:32:20,006 --> 00:32:22,074 THIS. 736 00:32:22,108 --> 00:32:23,742 YOU IN PAIN. 737 00:32:23,775 --> 00:32:26,045 YOU SEE, 738 00:32:26,078 --> 00:32:29,281 I COULD NEVER FIGURE OUT A WAY TO HURT YOU THE WAY YOU HURT ME. 739 00:32:29,315 --> 00:32:32,651 IF YOU HAD ANY IDEA HOW MUCH I'M HURTING ALREADY-- 740 00:32:32,684 --> 00:32:35,021 IT'S NOT ENOUGH. YOU KNOW WHY? 741 00:32:35,021 --> 00:32:36,022 BECAUSE YOU'RE TOO RESILIENT. 742 00:32:36,022 --> 00:32:38,424 HUSBANDS DIE, KIDS LEAVE, BUSINESSES COLLAPSE, 743 00:32:38,457 --> 00:32:41,093 AND BREE ALWAYS BOUNCES BACK. 744 00:32:41,127 --> 00:32:43,162 BUT THREATEN HER FRIENDS? 745 00:32:43,195 --> 00:32:44,230 OUCH. 746 00:32:44,263 --> 00:32:46,398 PLEASE. 747 00:32:46,432 --> 00:32:49,035 YOU'RE TALKING ABOUT THE PEOPLE I LOVE. 748 00:32:49,035 --> 00:32:51,037 THEY'RE MY WHOLE WORLD. 749 00:32:51,070 --> 00:32:53,072 I HAVE NOTHING ELSE. 750 00:32:53,105 --> 00:32:55,474 YOU HAVE NOTHING ELSE? 751 00:32:57,209 --> 00:32:59,245 THAT'S A BAD POSITION TO MAKE A DEAL FROM. 752 00:33:03,382 --> 00:33:04,750 SORRY. 753 00:33:08,287 --> 00:33:10,256 HEY, YOU REMEMBER THAT DEAL I WANTED TO MAKE WITH YOU? 754 00:33:12,191 --> 00:33:15,061 YOU MARRY ME AND I TAKE CARE OF YOU THE REST OF YOUR LIFE? 755 00:33:17,263 --> 00:33:20,066 MAYBE YOU SHOULD'VE TAKEN IT. 756 00:33:38,184 --> 00:33:40,719 HEY. YOU'RE OLD AND PRETTY MUCH HOUSEBOUND. 757 00:33:40,752 --> 00:33:46,125 HAVE YOU NOTICED IF BEN'S BEEN "ENTERTAINING" A LOT LATELY? 758 00:33:46,158 --> 00:33:48,294 THIS IS WHAT I GET FOR NOT HAVING A PIT BULL. 759 00:33:48,327 --> 00:33:49,328 (sighs) 760 00:33:49,361 --> 00:33:51,097 I THINK HE'S CHEATING ON ME. 761 00:33:51,097 --> 00:33:54,233 BEN? NO, HE--HE SEEMS LIKE A GREAT GUY. 762 00:33:54,266 --> 00:33:57,803 MY EX WAS A GREAT GUY, TOO. ASK ANY STRIPPER IN NEW YORK CITY. 763 00:33:57,836 --> 00:34:00,672 OH, MY GOD! I CANNOT GO THROUGH THAT AGAIN. 764 00:34:00,706 --> 00:34:02,308 I-I JUST CAN'T. 765 00:34:02,341 --> 00:34:04,676 RENEE, I MAY NOT BE YOUR BIGGEST FAN 766 00:34:04,710 --> 00:34:07,113 OR... EVEN LIKE YOU, 767 00:34:07,146 --> 00:34:09,615 BUT THERE'S ONE THING NO ONE CAN ARGUE WITH-- 768 00:34:09,648 --> 00:34:11,617 YOU ARE HOT. 769 00:34:11,650 --> 00:34:13,752 PARDON? 770 00:34:13,785 --> 00:34:15,221 LOOK AT YOU. 771 00:34:15,254 --> 00:34:16,688 YOU'RE A KNOCKOUT-- 772 00:34:16,722 --> 00:34:20,159 THOSE GAMS, THOSE CURVES, THAT KILLER SMILE. 773 00:34:20,192 --> 00:34:23,129 BASICALLY YOU'RE ME 35 YEARS AGO. 774 00:34:23,129 --> 00:34:25,797 SO THIS IS MY FUTURE? 775 00:34:25,831 --> 00:34:28,134 THE POINT IS, 776 00:34:28,167 --> 00:34:30,636 WHOEVER THIS WOMAN IS, SHE CAN'T HOLD A CANDLE TO YOU. 777 00:34:30,669 --> 00:34:33,639 OH, THANK YOU, KAREN. 778 00:34:33,672 --> 00:34:35,374 NOW GO OUT THERE AND FIGHT FOR YOUR MAN. 779 00:34:35,407 --> 00:34:39,578 YOU'RE RIGHT. TONIGHT I WILL THROW ON A LITTLE NOTHING 780 00:34:39,611 --> 00:34:40,879 AND MAKE A HOUSE CALL. 781 00:34:40,912 --> 00:34:42,414 THATTAGIRL. 782 00:34:46,152 --> 00:34:47,586 YOU KNOW WHAT? 783 00:34:47,619 --> 00:34:49,855 I WISH I HAD KNOWN YOU 35 YEARS AGO. 784 00:34:49,888 --> 00:34:52,558 WE WOULD'VE MADE A HELL OF A TEAM. 785 00:34:52,591 --> 00:34:55,227 HEY, WE STILL CAN IF THE AUSSIE'S INTO IT. 786 00:34:59,265 --> 00:35:01,633 STOP PACKING. WE'RE NOT MOVING. 787 00:35:01,667 --> 00:35:03,602 DON'T YOU SEE HOW GREAT THIS IS? 788 00:35:03,635 --> 00:35:05,671 LIVING IN NEW YORK, GETTING PAID TO PAINT-- 789 00:35:05,704 --> 00:35:07,539 IT'S AN AMAZING OPPORTUNITY. 790 00:35:07,573 --> 00:35:08,540 TO UPROOT OUR FAMILY 791 00:35:08,574 --> 00:35:10,576 AND MOVE SOMEWHERE WE'VE NEVER LIVED BEFORE? 792 00:35:10,609 --> 00:35:12,844 SO WE'LL GO FOR A FEW WEEKS AND SEE HOW WE LIKE IT. 793 00:35:12,878 --> 00:35:15,647 SUSAN, YOU DO KNOW THAT IF CHUCK WANTS TO TAKE YOU DOWN, 794 00:35:15,681 --> 00:35:17,649 MOVING TO NEW YORK'S NOT GONNA STOP HIM. 795 00:35:17,683 --> 00:35:19,451 I KNOW THAT. 796 00:35:19,485 --> 00:35:22,188 WELL, THEN WHY WOULD YOU WANT TO GIVE UP THE LIFE WE HAVE HERE, 797 00:35:22,221 --> 00:35:23,755 AFTER ALL THIS TIME? 798 00:35:23,789 --> 00:35:26,792 BECAUSE IT'S DIFFERENT. 799 00:35:26,825 --> 00:35:29,761 BEFORE, ALL I HAD TO DO WAS LOOK OUT THAT WINDOW 800 00:35:29,795 --> 00:35:31,663 AND I'D SEE A TRUE FRIEND-- 801 00:35:31,697 --> 00:35:34,400 SOMEONE WHO WOULD DO ANYTHING FOR ME OR MY FAMILY, 802 00:35:34,433 --> 00:35:36,535 BUT NOW... 803 00:35:36,568 --> 00:35:37,536 IT'S ALL GONE. 804 00:35:37,569 --> 00:35:41,540 YOU THINK YOU'RE GONNA FIND THAT SOMEWHERE ELSE? 805 00:35:41,573 --> 00:35:42,808 YOU'RE JUST RUNNING. 806 00:35:42,841 --> 00:35:45,711 OKAY. SO I'M RUNNING. 807 00:35:45,744 --> 00:35:49,948 MIKE, IF I GET CAUGHT, I COULD GO AWAY FOR A LOT OF YEARS. 808 00:35:49,981 --> 00:35:52,684 SO IN THE MEANTIME, 809 00:35:52,718 --> 00:35:55,754 WHY NOT TRY TO LIVE THE LIFE I'VE DREAMED OF? 810 00:35:55,787 --> 00:35:57,756 IT'S NOT MY DREAM. 811 00:35:57,789 --> 00:35:59,758 AND IF THIS IS SOMETHING THAT YOU NEED TO DO, 812 00:35:59,791 --> 00:36:01,493 YOU'RE ON YOUR OWN. 813 00:36:10,902 --> 00:36:12,671 HELLO, GABY. (Juanita) CELIA, GET BACK HERE! 814 00:36:12,704 --> 00:36:14,840 IS THIS A BAD TIME? GIVE ME THAT NOW! CELIA! 815 00:36:14,873 --> 00:36:17,643 UH, CHUCK, I HAVE 2 DAUGHTERS UNDER 13. 816 00:36:17,676 --> 00:36:18,844 IT'S ALWAYS A BAD TIME. 817 00:36:18,877 --> 00:36:21,847 YEAH, WHY DON'T YOU JUST STEP OUTSIDE HERE FOR A SECOND? 818 00:36:27,686 --> 00:36:29,655 SO DID YOU TALK TO CARLOS? 819 00:36:29,688 --> 00:36:31,957 HE'S OBVIOUSLY ASHAMED OF HIS AFFAIR. THE WHOREMONGER. 820 00:36:31,990 --> 00:36:34,960 BUT AT LEAST HE'S HONEST ABOUT IT. 821 00:36:34,993 --> 00:36:37,596 NO. I WOUND UP TAKING A DIFFERENT ANGLE 822 00:36:37,629 --> 00:36:38,764 ON THE INVESTIGATION. 823 00:36:38,797 --> 00:36:41,367 ACTUALLY, YOU WERE THE REASON FOR THAT. 824 00:36:41,400 --> 00:36:43,769 ME? WHAT DO YOU MEAN? 825 00:36:43,802 --> 00:36:48,374 DO YOU REMEMBER WHEN WE WERE TALKING ABOUT THIS GUY? 826 00:36:48,407 --> 00:36:49,775 VAGUELY. 827 00:36:49,808 --> 00:36:51,643 I REMEMBER IT VIVIDLY, 828 00:36:51,677 --> 00:36:53,512 'CAUSE IT WAS THE ODDEST THING-- 829 00:36:53,545 --> 00:36:56,615 YOU SEE, WHEN SUSAN SAW THIS PICTURE, SHE NEARLY PASSED OUT. 830 00:36:56,648 --> 00:36:58,584 AND WHEN LYNETTE SAW IT, 831 00:36:58,617 --> 00:37:02,354 SHE WILLED HERSELF INTO NOT REACTING. 832 00:37:02,388 --> 00:37:04,490 BUT YOU... 833 00:37:04,523 --> 00:37:05,791 YOU SMIRKED. 834 00:37:09,761 --> 00:37:11,963 THAT'S CRAZY. WHY WOULD I DO THAT? 835 00:37:11,997 --> 00:37:14,466 SAME QUESTION I ASKED MYSELF. 836 00:37:14,500 --> 00:37:18,737 SO I STARTED DOING SOME DIGGING INTO YOUR BACKGROUND. 837 00:37:18,770 --> 00:37:19,938 TURNS OUT, 838 00:37:19,971 --> 00:37:23,942 RAMON SANCHEZ, FORMERLY OF OKLAHOMA, 839 00:37:23,975 --> 00:37:27,679 IS ACTUALLY... 840 00:37:27,713 --> 00:37:29,615 ALEJANDRO PEREZ... 841 00:37:31,517 --> 00:37:33,352 YOUR STEPFATHER. 842 00:37:34,553 --> 00:37:36,522 AND YOU NEVER MENTIONED THAT. 843 00:37:36,555 --> 00:37:40,592 OH, COME ON, CHUCK. YOU CAN'T EVEN SEE WHO-- 844 00:37:40,626 --> 00:37:42,794 AT THIS POINT, I DON'T THINK YOU SHOULD SAY ANYTHING 845 00:37:42,828 --> 00:37:44,563 WITHOUT A LAWYER PRESENT. 846 00:37:44,596 --> 00:37:46,798 WAIT. AM I UNDER ARREST? 847 00:37:46,832 --> 00:37:48,367 NOT YET. 848 00:37:48,400 --> 00:37:50,836 BUT BASED ON THIS, I HAVE TO START AN OFFICIAL CASE FILE. 849 00:37:50,869 --> 00:37:52,804 I'M GONNA NEED YOU TO COME DOWN TO HEADQUARTERS 850 00:37:52,838 --> 00:37:56,575 FOR AN INTERVIEW. BE THERE TOMORROW AT 10:00. 851 00:37:59,545 --> 00:38:02,481 AND, GABY, IF YOU DON'T... 852 00:38:02,514 --> 00:38:04,816 I'LL SEND A SQUAD CAR TO GET YOU. 853 00:38:21,433 --> 00:38:22,834 HI. I NEED TO SPEAK WITH CARLOS SOLIS IMMEDIATELY. 854 00:38:22,868 --> 00:38:24,670 I'M SORRY, BUT MR. SOLIS-- Yeah, I know. 855 00:38:24,703 --> 00:38:26,372 I KNOW YOU HAVE THAT ANNOYING NO-CONTACT POLICY, 856 00:38:26,405 --> 00:38:27,806 BUT THIS IS AN EMERGENCY. 857 00:38:27,839 --> 00:38:30,409 MR. SOLIS ISN'T HERE. HE CHECKED HIMSELF OUT TWO HOURS AGO. 858 00:38:30,442 --> 00:38:32,644 WHAT? WHY DIDN'T YOU STOP HIM? 859 00:38:32,678 --> 00:38:35,514 He was not in a mood to be stopped. 860 00:38:36,648 --> 00:38:38,884 (beep) 861 00:38:40,686 --> 00:38:43,655 BEN, ARE YOU IN THERE? 862 00:38:43,689 --> 00:38:47,393 I'M WEARING LEATHER AND I'M GETTING COLD. 863 00:38:49,561 --> 00:38:50,929 BEN? 864 00:38:56,101 --> 00:38:58,537 (door closes, footsteps approach) 865 00:39:05,777 --> 00:39:10,549 (car door closes, engine starts) 866 00:39:25,497 --> 00:39:28,500 (beeping) 867 00:39:30,469 --> 00:39:32,638 BREE, NO NEED TO CALL ME BACK. 868 00:39:32,671 --> 00:39:34,640 JUST WANTED TO LET YOU KNOW THAT 869 00:39:34,673 --> 00:39:37,142 MY UNOFFICIAL INVESTIGATION'S ABOUT TO GO OFFICIAL. 870 00:39:37,175 --> 00:39:39,678 BE AT THE STATION TOMORROW MORNING AT 10:00. 871 00:39:39,711 --> 00:39:40,812 BRING A LAWYER. 872 00:39:40,846 --> 00:39:42,548 (beep) 873 00:39:42,581 --> 00:39:43,782 AAH! 874 00:39:53,659 --> 00:39:57,128 JUST WHEN MY FRIENDS NEEDED EACH OTHER MOST, 875 00:39:57,162 --> 00:40:00,566 THEY FOUND THEMSELVES UTTERLY ALONE-- 876 00:40:00,599 --> 00:40:06,505 ONE WITH THE FRANTIC NEED TO FIND HER HUSBAND... 877 00:40:08,239 --> 00:40:14,546 ONE WITH THE CONSEQUENCES OF REVEALING A PAINFUL SECRET... 878 00:40:14,580 --> 00:40:20,686 AND ONE WITH THE FEELING THAT SHE SIMPLY NO LONGER BELONGED. 879 00:40:23,121 --> 00:40:26,191 BUT FOR ONE OF MY FRIENDS, 880 00:40:26,224 --> 00:40:29,495 THE SENSE OF ISOLATION WAS SO COMPLETE... 881 00:40:29,528 --> 00:40:31,062 HERE YOU GO. 882 00:40:31,096 --> 00:40:33,732 THERE MIGHT BE NO ESCAPING IT. 883 00:40:33,765 --> 00:40:35,501 CONTINENTAL BREAKFAST RUNS TILL 10:30, 884 00:40:35,534 --> 00:40:38,103 BUT THE GOOD STUFF'S GONE BY 8:00. 885 00:40:38,136 --> 00:40:39,805 OH, I DON'T THINK I'LL BE HAVING BREAKFAST. 886 00:40:39,838 --> 00:40:42,240 THANK YOU. 887 00:40:42,273 --> 00:40:44,109 SUIT YOURSELF. 888 00:41:14,105 --> 00:41:18,744 DO YOU REMEMBER HOW WONDERFUL THINGS USED TO BE ON THE LANE? 889 00:41:21,713 --> 00:41:23,181 (chuckles) 890 00:41:23,214 --> 00:41:27,218 I HAD THE PERFECT LIFE. 891 00:41:27,252 --> 00:41:30,556 DOCTOR HUSBAND... 892 00:41:30,589 --> 00:41:33,725 TWO BEAUTIFUL CHILDREN... 893 00:41:33,759 --> 00:41:36,562 OH, AND SUCH DEAR FRIENDS. 894 00:41:38,830 --> 00:41:40,065 (sniffles) 895 00:41:40,098 --> 00:41:42,000 WHAT HAPPENED? 896 00:41:42,033 --> 00:41:45,070 HOW DID I LOSE IT ALL? 897 00:41:46,572 --> 00:41:49,007 THINGS CHANGE, BREE. 898 00:41:50,308 --> 00:41:52,711 I'M SO UNHAPPY. 899 00:42:00,619 --> 00:42:02,588 ARE YOU HAPPY NOW? 900 00:42:07,058 --> 00:42:09,294 I'M NOT UNHAPPY.